City of London Sinfonia (CLS) is rooted in the belief that music and creativity are for anyone and everyone. We put responsive, in-the-moment music-making with individuals and groups and musician development at the forefront of all our activities, engaging audiences as co-creators in shared, meaningful music experiences.
We are leading the way in creative, collaborative practice in health and social care through our participation programme, which is the driver of everything we do. In the 2020 Royal Philharmonic Society (RPS) Awards, we were awarded the Impact Award for our Sound Young Minds project, which provides opportunities to young people in psychiatric hospitals to work with each other and to express themselves. Other core projects include Room to Room Music with residents in care homes, Music for Children in London hospitals, and social prescribing with the new Tessa Jowell Health Centre. Our Comfortable Classical series of relaxed concerts, which was adapted for online during 2020, invites anyone and everyone to interact with CLS musicians and experience orchestral music.
Our innovative artistic programmes – curated by Alexandra Wood (Leader and Creative Director) and guest artists – spark adventure, intrigue and enjoyment with concepts often relating to science, nature, history, or philosophy. Recent themes include Bach and the Cosmos (2018), exploring J.S. Bach and his love for mathematics; Absolute Bird (2019), featuring medieval to contemporary music influenced by birdsong; Storytelling (2019), a Faber & Faber collaboration of spoken word and music; and Worlds Colliding (2020), unblurring the lines between classical and popular culture. Our upcoming 50th Season will celebrate the natural environment with a new commission by Cheryl Frances-Hoad and a deep listening project with Roderick Williams OBE.
Over the last decade, we have established our ‘seriously informal’ performance style, reaching new and diverse audiences by presenting live music in modern, exciting, and thought-provoking ways in our concert series, often in open-spaced venues such as East London clubs, university halls and cathedrals. This approach led to being commended as runner-up in the Ensemble category in the 2020 RPS Awards.
Our Orchestra gives over 75 performances each year, performing regularly at the Albany (Deptford), Canada Water Theatre, Southbank Centre’s Queen Elizabeth Hall, Southwark Cathedral, and St Paul’s Cathedral. We are also proud to be Resident Orchestra at Opera Holland Park, since 2004. Tours in recent years have included Japan, Ireland, and cathedrals around the UK. Recordings include King of Ghosts with sarodist Soumik Datta (Globe Music, 2017) and Stuart Hancock’s We’re Going on a Bear Hunt (Sony Classical, 2017).
Creative Director & Orchestra Leader
Alexandra Wood has won major prizes at International Violin Competitions including Wieniawski, Tibor Varga, Lipizer and Yampolsky. Alexandra graduated from Selwyn College, Cambridge before going on to the Royal College of Music in London, where she was President Emerita Scholar and studied with Itzhak Rashkovsky. She then held the Mills Williams and subsequently the Phoebe Benham Junior Fellowships.
She has given performances for numerous International Festivals (including Cheltenham, Bath, and Aldeburgh) and also in London at the Wigmore Hall, South Bank, Kings Place and live on BBC Radio 3.
As a concerto artist she has performed with orchestras such as the Philharmonia, City of London Sinfonia, and the OSJ. She has given the premiere of violin concertos specially written for her by Hugh Wood (2009) and Charlotte Bray (2010). Leader of Birmingham Contemporary Music Group (with whom she has appeared at Carnegie Hall) she also regularly guest-leads other ensembles including London Sinfonietta, Aurora Orchestra, and Music for Ballet Rambert, and has collaborated with chamber groups such as The Schubert Ensemble and Endymion.
Alexandra has won many prestigious awards including the Worshipful Company of Musicians Medal, Maisie Lewis Award, Wingate Scholarship, Hattori Award and MBF awards. She was selected for the Tillett Trust Young Artists Platform, and won a Star Award from the Countess of Munster Trust.
Her CD of world premiere recordings -Chimera- was described as “splendid” in The Sunday Times, and in BBC Music Magazine as “agile, incisive and impassioned”. In 2009, the Associated Board of the Royal Schools of Music volume Spectrum for Violin, which she compiled, edited and recorded, was released. She has also recently recorded for NMC- two violin pieces by Oliver Knussen.
Alexandra plays a violin made by Nicolo Gagliano in 1767. This instrument was purchased with generous assistance from the Countess of Munster Trust, Abbado Young Musicians’ Trust and the Loan Fund for musical instruments.